James Baillieu

© Kaupo Kikkas

Described by The Daily Telegraph as ‘in a class of his own’ James Baillieu is one of the leading song and chamber music pianists of his generation.  He has given solo and chamber recitals throughout the world and collaborates with a wide range of singers and instrumentalists including Benjamin Appl, Jamie Barton, Ian Bostridge, Allan Clayton, Annette Dasch, Lise Davidsen, the Elias and Heath Quartets, Dame Kiri te Kanawa, Adam Walker, and Pretty Yende.  As a soloist, he has appeared with the Ulster Orchestra, English Chamber Orchestra, and the Wiener Kammersymphonie.

During the 2021-22 season James continues his strong relationship with Wigmore Hall with recitals including performers Benjamin Appl, Florian Boesch, Ema Nikolovska, Christoph Prégardien, and Fatma Said. He is Artist in Residence of the Lied Festival Victoria de los Ángeles where he presents Die schöne Müllerin, Winterreise, and Schwanengesang with Julian Prégardien, Mark Padmore, and Jan Petryka. Also in Barcelona, he joins Benjamin Appl for a fully-staged production of Winterreise at the Gran Teatre del Liceu designed by the renowned painter, sculptor, and engraver Antonio López. North American appearances of the season feature performances at Vancouver Recital Society with trombonist Peter Moore and at Celebrity Series of Boston, The Dallas Opera, and the Bicknell Family Center for the Arts on the campus of Pittsburg State University with Benjamin Appl.

James Baillieu is a frequent guest at many of the world’s most distinguished music centers including Carnegie Hall, Wigmore Hall, Concertgebouw Amsterdam, Vancouver Playhouse, Berlin Konzerthaus, Vienna Musikverein,  Barbican Centre, Wiener Konzerthaus, Bozar Brussels, Pierre Boulez Saal, Cologne Philharmonie, and the Laeiszhalle Hamburg.  Festivals include Aix-en-Provence, Verbier, Schleswig-Holstein, Festpillene i Bergen, Edinburgh, Spitalfields, Aldeburgh, Cheltenham, Bath, City of London and Brighton Festivals.

An innovative programmer, he has curated many song and chamber music festivals including series for the Brighton Festival, Wigmore Hall, BBC Radio 3, Verbier Festival, Bath International Festival, and Perth Concert Hall.

At the invitation of John Gilhooly, James Baillieu has presented his own series at the Wigmore Hall with Adam Walker, Jonathan McGovern, Ailish Tynan, Tara Erraught, Henk Neven, Iestyn Davies, Allan Clayton, and Mark Padmore amongst others.  This series was shortlisted for the Royal Philharmonic Society’s Chamber Music and Song Award for an outstanding contribution to the performance of chamber music and song in the UK.

James Baillieu was prize winner of the Wigmore Hall Song Competition, Das Lied International Song Competition, the Kathleen Ferrier and Richard Tauber Competitions, and was selected for representation by Young Classical Artists Trust (YCAT) in 2010 and in 2012 received a Borletti-Buitoni Trust Fellowship and a Geoffrey Parsons Memorial Trust Award.  In 2016 he was shortlisted for the Royal Philharmonic Society Outstanding Young Artist Award.

Recording projects include ‘Heimat’ with Benjamin Appl (Sony Classical), the complete works of CPE Bach for violin and piano with Tamsin Waley-Cohen (Signum Records), and albums on the Chandos, Opus Arte, Champs Hill, Rubicon, and Delphian Record labels as part his critically acclaimed discography.

James Baillieu is a Professor at the Royal Academy of Music, a coach for the Jette Parker Young Artist Program at the Royal Opera House, a course leader for the Samling Foundation, and is head of the Song Program at the Atelier Lyrique of the Verbier Festival Academy.  He also is International Tutor in Piano Accompaniment at the Royal Northern College of Music.  Highly sought after for masterclasses worldwide, recent sessions of learning have brought him to the Aldeburgh Festival, Cleveland Institute of Music, Metropolitan Opera Lindemann Young Artist Development Program, Friends of Chamber Music, Portland, Oregon, Vancouver Academy of Music, Canada, and to the University of Waikato, New Zealand.

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